Artist Bio: Yao Jui-Chung was born in 1969. Lives and works in Taipei. He graduated from The National Institute of The Arts (Taipei National University of the Arts). His works has been widely exhibited in numerous international exhibitions. Include Venice Biennale(1997), Yokohama Triennale (2005), APT 6 (2009), Taipei biennial (2010), Shanghai Biennale (2012), Beijing Photo Biennale (2013), Shenzhen Sculpture Biennale (2014), Venice Architecture Biennale, Media City Seoul Biennale (2014), Asia Triennial Manchester (2014), Asia Biennale (2015) and Sydney Biennale (2016). Yao is the winner of The Multitude Art Prize in 2013 and 2014 Asia pacific Art Prize. Yao specializes in photography, installation, and painting. The themes of his works are varied, but most importantly they all examine the absurdity of the human condition. In recent years, he has created photo installations combining the style of “gold and green landscape” with the superstitions that permeate Taiwanese folklore, expressing a false and alienated “cold reality” that is specific to Taiwan. Representative works. Recently, Yao Jui-Chung has assembled all the black-and-white photos of ruins he took in the past fifteen years, grouped under the themes of industry, religious idols, architecture, and military bases. They reveal the enormous ideological black hole in Taiwan hidden behind the trends of globalization and Taiwan’s specific historical background as a continuation of the main theme of his work: the absurdity of the historical destiny of humanity.
Since 2007, Yao has started to create a series of works. He appropriates masterpieces from Chinese art history and recreates them in his own way, transforming them into his personal history or real stories in an attempt to turn grand narratives into the trivial affairs of his individual life. Yao intends to usurp the so- called orthodoxy with his recreated landscapes. Since 2010, Yao grouped his students into a team of photography workshop called “Lost Society Document” (LSD). He encouraged them to photograph and survey in their hometowns. Through the way of field surveys, they have attempt attemped to draw the outline of “mosquito houses” which have been widely criticized, published five books named “"Mirage: Disused Public Property in Taiwan",” and practice looked into the possibility of observing the society by through the meaning of art.